Women’s Fiction

At the start of my regular creative writing sessions, I always ask students to share something positive about their week.

One of my main priorities as a teacher is to create a strong, supportive group. We learn so much when we're prepared to share our work, but sharing our work takes trust. Giving an insight into our lives and what's important to us helps to foster that trust.

At first when I ask my students to share something positive, they're often taken aback. Sometimes they can't think of anything to say. But as the weeks pass, and they get used to being asked to do this, they invariably manage to come up with something. Especially when they realise I'm not expecting it to be anything incredible - that I'm quite happy with "this morning I made myself a delicious mug of hot chocolate," or, "I sat in the garden for five minutes to listen to the birds singing."

I almost prefer to hear about these small, precious nuggets of joy in fact because they're the sort of things you can pepper your day with, rooted as they are in being mindful and in noticing your environment and your reactions to it. If you care to look, these moments are in endless supply. As I write on a cold, sunny day in November, I don't need to look any further than out of my window. This little beech tree is in my neighbour's garden. He can't see it unless he makes an effort, but we can see it all the time.  Lucky us!

 

Another reason I like to encourage a feeling of positivity in my classes is because writing - and getting published - can be so hard. As writers, we need the support of other writers. People who understand our struggles and our triumphs. We also need to be able to pick ourselves up and keep going when things don't work out the way we hope they will. Being positive helps us to this.

With my latest novel currently out on submission, I'm drawing on my habit of noticing the positives to help me deal with what feels like a roller coaster ride of excitement and anxiety. Everything I've been working towards and hoping for comes down to this.

Except of course, for the pure pleasure of putting words down on paper. Creating characters I care about. Solving plot puzzles and snatching at moments of inspiration. Responding to feedback to make the writing even better. A feeling of pride when things come together.

Whatever happens, I'll always have those things, and I intend to relish them. Celebrate them.

As well, of course, as starting to write something else!

As the  berries on  my Olympic Flame rowan tree signal that autumn is approaching, I find myself looking back on what has been a wonderfully creative summer.

As an adult education tutor - I teach creative writing for adults for Norfolk County Council - I'm lucky enough to have a full two months off to do as I like. In the past, when my son was younger, summer days were filled with trips to the park, the beach and the many tourist attractions of Norfolk, where we live. But now he's sixteen and although he is happy to be seen with me in public - yay! - naturally he doesn't want to do all those things any longer. It's a first step towards him moving on his life and I admit that does give me a pang! But it also gives me lots of time to use as I want to, and this summer I've really made the most of it. Apart from one family holiday in Anglesey, Wales - during the mercifully one really warm week of the UK summer - I have been creating.

Two thirds of the way up Mount Snowden, Wales

So, what have I been up to? Well, I've been writing about Christmas! Yes, Christmas trees, Christmas crackers, lights, snowmen, food, family rows - the lot! And much to my surprise - since I'm a bit of a bah humbug Christmas phobic - I've really enjoyed it! Maybe it was good therapy to put my characters through all that stuff? Although it wasn't all doom and gloom. I did find plenty of magic to include. Maybe it'll rub off on me and I'll find my Christmas mojo all over again?

Actually, it's been the writing process that has been magical, because this book almost wrote itself. Obviously I have some changes to make, but it came out so easily. That could be because I've used quite a lot on my own personal experience and memories, drawing on material I've stored away for years - a patchwork of different events that have somehow found a way to transform and click together. There's nothing like being in that place where everything comes easily and your characters speak to you inside your head. When you're doing something mundane and pieces of the puzzle of your novel are handed to you from nowhere.

But writing hasn't been my only creative pursuit this year. I've been painting and creating collages too - using the studio I had built after my mum died three years or so ago. I have used it before this summer, but not as much as I'd expected to. I felt kind of...stuck with my art. For those of you who don't know, I first started writing after I finished my painting degree in Brighton and was left wondering what next? I thought, I know, I'll write a best-selling romance to earn the money to carry on painting. Hmm...well, I was young, so I was allowed to be naive! What I basically did was swap one unpredictable way of making a living for another. Ha ha. But anyway, I got the writing bug, and I haven't looked back since. My art went on the back burner, but I always knew I'd want to go back to it. And this summer I have. As a result, I've felt really close to my mum too, thinking about how pleased she would be about it.

I've always been a fan of still life - I love to collect vases and jugs and have many from my grandmother. So, when I was looking around for a course to get me back into my art, it was an easy decision to choose Brave in Paint, Experimental Still Life run by Gabriella Buckingham. What a great course it was! Filled with Gabriella's enthusiasm and lively definitions and challenges. It was exactly what I wanted, and my creativity thrived. It's so easy to be held back by that nagging voice that asks you things like, Why are you doing this? What's it going to lead to? You really ought to be...(insert what here). What makes you think you'll do anything good anyway? Aaargh!

These are some of the voices my creative writing students have to contend with, and I empathize with them, I really do. It's taken a long time, but I mainly manage to be able to ignore the voices now when it comes to writing. I love writing far too much to be bullied out of doing it. Hopefully, I'll be able to be the same whenever I get the urge to paint or make a collage from now on.

Here's an example of one of the paintings - an oil sketch inspired by the above arrangement - I completed this summer. If you're interested, there are more to be found on the Margaret's Art work tab.

Still Life With Green Coffee Pot

Happy autumn, everyone!

 

In your mind's eye, how do angels dress?

In the traditional garb of a white robe with large golden-feathered wings? Or maybe a sort of flimsy Victorian night shirt, like Clarence, the angel in A Wonderful Life?

 

 

You probably don't think they would come by their clothing at a stall like this.

But Nessa, the angel in my novel Perfect Responses does. She spent much of her life in Africa, and it stole her heart. So when Nessa has the chance to head back down to  Earth - and Africa -on a mission to prove the worth of a self-help author's work, she jumps at it, as only Nessa can. With wit, persistence and a lot of straight-talking.

 

Bewildered Janet, who has just been abandoned by her man while on holiday, is the first person to receive the onslaught of Nessa's advice. It's all a bit much at first. But Janet's feeling rather vulnerable and adrift, and so she decides to give Nessa a chance, and finds herself whisked away to experience the real Africa, crocodiles and all.

Hi everyone

I hope you're surviving the heatwave! Love it or loathe it, it seems to be here to stay at the moment. How is your writing going?

I have lots of news for you this week - about new courses and events. But first, I thought you'd like to hear about some of my recent insights about writing.

I've been working hard on a new novel set in North Norfolk called The House on the Marshes. It's quite a complicated book because it has two timelines which link up by the end. I've enjoyed writing it hugely, not least because it gives me an excuse to visit the North Norfolk coast often.

After receiving feedback on the first draft, I did some rewriting before taking part in an online challenge to write a book pitch in only 40 words. It was called a challenge for a reason, because it was very difficult to do - but so worthwhile. I'd recommend it to anyone, whether you've finished your book or not, because it really forces you to identify what drives the story. In my case, it showed me that I needed to strengthen one of the two timelines, which was invaluable.

Another thing I've found really helpful for the final stages of finishing my book, is just to give it lots of time and space - not being in too much of a hurry to get it done. Taking my time in this way has allowed little pieces of the puzzle of the book to pop into my mind for me to link them satisyingly together. So, not being in too much of a rush is definitely something else I'd recommend. (Which, of course, is very different from procrastinating!).

I'm very excited that five of my recent students are to have their work reproduced in a booklet for the first Norfolk Day! The five wrote about a childhood memory on my Writing From your Life Experience Course, and produced some vivid work which is to be displayed at Wensum Lodge, King Street on Friday 27th July. Do go along to take a look!

New Courses

I will be teaching quite a lot of courses for Norfolk County Council Adult Education this autumn - from beginner's fiction writing, life writing and writing historical fiction. Lots of variety!

Here's a link to the Adult Education website for more information and to enrol. The top 6 courses are to be taught by me.

https://enrol.norfolk.gov.uk/AvailableCoursesList.Asp?ID1=,%20&ID2=?

I'm really looking forward to teaching a one-day Writing Historical Fiction Course at the Museum of Norwich (Bridewell Museum). As part of the course you will visit the museum collections as a springboard for fiction using historical era to shape and inspire characters, actions, dialogue and description. Here's the link to find out more or to enrol. There are only 8 places available due to space at the museum.

https://enrol.norfolk.gov.uk/CourseDetailsView.asp?ID1=1111&ID2=70219&ID3=1

Enrolling onto a course via the Adult Education website can be a challenge to some! There is a phone number you can ring - 0344 800 8020 - if you need any help.

For those of you who are interested in Poetry - and hares! - I'm running a workshop called Poetry Writing, Hares at Norwich Castle on Thursday 23rd August 11.00am - 2.00pm. The drop-in workshop (no need to book) is part of the activities connected to the Norfolk Adult Education Hare based outside the Castle and is FREE, although I believe you may have to pay to get into the castle to take part.

I think that's it for now. As always, if you have any questions or comments, do get in touch.

Happy writing and have a great summer!

All the best.

Margaret

A Nightingale in Winter

Letter of Love and Fear is a story that compliments my novel A Nightingale in Winter.

Dear Mamma

I thought of you in the middle of the night as I crept down the stairs, avoiding the creaking step, silently counting until I reached the hallway without the aid of a candle. The grandfather clock was like a sentry as I squeezed myself into the kitchen. The kitchen smelled of beef stew and cakes, but since Mrs Crookes had left it all as shiny as a new pin, ready for the morning, I knew this was supplied by my imagination, reminding me of the small moments of comfort I have received in that room over the years. The kitchen is the most human room of the house. I shall miss it, Mamma. I shall miss the servants. I have been as close to them as I have been to any human being so far in this life, and it is bewildering to be striking out on my own. But it must be done.

Can you picture me, hiding in the scullery until the first embers of day break? As the sun came up over the hedge I knew I must leave, or risk an encounter with a kitchen maid, or Grooms with the firewood. So I fetched my valise from its hiding place in the wood shed and crept out into the chilly darkness to start my adventure. The train would not be at the station for another hour, so I concealed myself in a laurel hedge and settled down to wait. It was very dark and damp in there, and I fancied spiders were running from the glossy leaves and right down my neck. It was not in the least bit pleasant, but it was as nothing compared to my terror of being apprehended by Father before the train arrived. 

And so I stood still and allowed the spiders - be they real or imagined - to go where they willed until it was time to depart my hiding place to purchase my train ticket. This I did at the very last moment, leaving it until something of a queue had built up and there was less opportunity for conversation. "Going to London are you, Miss Martin?" "Yes, I'm going to France, to nurse the wounded."

Sometimes, Mamma, I ask myself if I would ever have escaped if the War had not come, but you and I both know the answer to that question, I think. I would not.

Your loving daughter,

Eleanor. 

My new novel, Perfect Responses, has a controversial character in it, in the the shape of Corrinne Walker, a self-help author. Corrinne's theories in her book Staying in Neutral, Responses to Change Your Life, form the backbone of the book as three different women are encouraged to deal with significant life challenges by using her advice.

Corrinne believes in straight-talking, and isn't bothered if she offends people along the way to get her message across. I expect you've come across people like this in your life. They might have rubbed you up the wrong way, or perhaps you grudgingly admire them. Either way, they aren't people who often get ignored.

Here's an extract from Corrinne's (fictional) self-help book.

Extract from: Staying in Neutral, Responses to Change Your Life by Corrinne Walker.

You’re late for work because someone has thrown themselves onto the railway line. You feel sympathetic, glad it wasn’t you up there, finding the courage to leap.

But then it happens again, the next day. And the next. They’re like lemmings up there, with their shitty lives, waiting to jump. And always in the rush hour. Never at 10 a.m., or 11 a.m., when it’s just the tourists en route for the London Dungeon, or their free trip up the Cheese Grater to see the view of the Tower of London like a model far below them.

No, they’ve got to make the most possible impact with their final gesture, and they couldn’t care less about your blood pressure, sat there helpless on that train, somewhere between Colchester and bloody Kelvedon.

They couldn’t give a monkey’s that you could lose your job because you’re consistently late. That you’ll no longer be able to afford the au pair, and you’ll have to bake cakes and do voluntary work and pretend to the world you’re happy being an earth-mother-stay-at-home-mum. And all while your husband’s at large in the world with his immaculate suit and Creed aftershave, and never so much as a whiff of baby sick or mustard-bum poo.

He’ll return home after a day of exciting deals and flirtatious banter, expecting a tasty, well-presented meal and willing sex, and it will be as much as you can do to growl something primeval at him before you head for the bath tub in a vain attempt to scrub away your frustration and resentment. You’re so suffused with them both, the bath water fairly fizzes, and much of the steam on the expensive floor to ceiling mirror has come out of your own ears.

And all because of a string of suicides by some selfish, down-on-their-luck losers. The injustice of it all makes you want to scream. Either that, or grab your coat, put it on over your bath-wet body and clomp down to that sodding railway bridge yourself.

Sisters, stop.

We’ve all been there, with that spiral of self-destructiveness. We’ve all blamed others for our misfortunes, and slumped with despair and self-pity. But unless you want to be a martini-quaffing martyr or a hatred-haggled harridan, flailing at the injustice of the world and watching your former friends cross the road to avoid you and your negativity, you need to take action. You need to do something about your reactions to the bad, the irritating, the stressful and the downright disappointing happenings of life. To understand that, if you’re alive, shit happens.

Because this is life we’re living, not some happy-ever-after movie. Your car will break down on your way to the airport for your dream holiday. You’ll be the only one at your Weight Watchers group to put on weight. Your boyfriend will always be busy when you call him. You’ll get gout. You’ll be first in the queue for the Liberty’s sale and a security alert will force you to vacate the area.

Shit. Happens.

Let me tell you, the day I realised that – truly embraced the fact and decided I would no longer let it affect me – was the day I really started living.

When shit happens, we have two choices. We can let shit have power over us and our emotions and responses. But who wants shit to have power over them? Not me. Alternatively, we can keep hold of our power and choose our own reactions. Because all those shitty things that happen to us are events, just as all the good things that happen to us are events.

You find your daughter’s lost hamster alive and well under the fridge. That’s an event. You give an amazing presentation and win your company a lucrative contract. An event. You get the flu and miss a music concert you bought the tickets for a year ago. An event. Your mother dies. An event.

Yes, I know what you’re saying. That missing a pop concert and your mother dying are hardly in the same league. Well, I guess that depends to some extent on the quality of your relationship with your mother.

Only kidding! Of course one outweighs the other. But they are both still events, and I put it to you that we can – and should – choose how we wish to react to events.

Events – and this is very important – are neutral things. Like a closet full of beige clothes. The trouble is, many of us have such chaotic closets – colours all jumbled up, red next to lime green, summer dresses next to winter coats, jeans we’ll never fit into again next to shorts that make us look like geriatric ramblers. And when shit comes calling, we reach into the mess of a closet to snatch up something red or purple or angry orange, and we wrap it closely around us until it feels like a part of our skin. When actually, what we need to do is to stand back, and give ourselves a little space. Keep hold of our dignity and our emotional control. Recognise that shit for what it is. A stinky, unwanted interruption in our lives.

Note from Margaret K Johnson:

I hope you enjoyed the above extract from Corrinne's book! Corrinne has more advice in my upcoming novel Perfect Responses. Here's the blurb:

Three women are about to face the biggest challenges of their lives. Janet has been mistaken for a sex tourist after being abandoned by her fiancé in Africa. Debbie is hell-bent on a hopeless affair with Adam, her married boss. Pregnant Kate has just married the love of her life only for him to turn into a distant stranger overnight.

The three don’t know it, but self-help author Corrinne Walker is depending on them to use her advice to sort themselves out. In fact, her whole future depends on them making perfect responses. But will they be able to do it?

Perfect Responses is coming very soon!

Cheers!

Margaret

6 Comments

Personally, I'm quite happy to describe my novels as women's fiction. To me, women's fiction can be defined as below (with thanks to the author Becca Vnuk), and I'm happy with this. These are the books I enjoy reading as well as writing. And it's not that I think men won't be interested in them, rather that it's less likely:

"The common thread is that the central character is female, and the main thrust of the story is something happening in the life of that woman (as opposed to the overall theme being a romance or a mystery of some sort). Emotions and relationships are the common thread between books that belong in this category. A woman is the star of the story, and her emotional development drives the plot."

And I suppose for me, it distinguishes my fiction from chicklit, which Wikipedia defines as:

Heroine-centered narratives that focus on the trials and tribulations of their individual protagonists. The genre often addresses issues of modern womanhood – from romantic relationships to female friendships to matters in the workplace – in humorous and lighthearted ways.

But some writers feel very strongly about their novels being described as women's fiction.

Take best-selling author Jodi Picoult, for example.

In an interview for the Orlando Sentinel, Picoult said: “I don’t write women’s fiction. What that means is I have lady parts. There is absolutely nothing gendered in my writing. Some books I think of as more male-centric than female-centric. Honestly, when most people talk about women’s fiction, they’re usually talking about a light-and-fluffy beach read. If anyone is describing my books as light and fluffy, you have serious issues.”

Interviewed on Popsugar.com, Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo) also expresses her dislike of the women's fiction category.

She said, "Anytime I meet someone and they ask me what I do and I say, "I'm an author," and they say, "Oh, what kind of books do you write?" I say, "I write fiction." And they say, "Well, what does that mean?" What I choose to answer is, "I write book club books. I write books that you would read in a book club." What I mean by that is I write commercial fiction that is hopefully accessible to anybody that wants to read it, but they can be thought-provoking and give you something to talk about. But that's a very long answer to a small question, and the short answer is I write women's fiction, and the reason why it's called women's fiction is because we want to make sure, in no uncertain terms, men know "don't read this," which is just absurd.

"We have a society in which woman have learned to read about men and to find interesting things about the inner lives of men, and we have not done that same service for men. We have told men that women in their lives are not interesting to them, that the stakes of domestic fiction is not relevant to them — all of these things are completely untrue. Books about love and family are just as important and can be just as skillfully and beautifully written as books about war. I don't know why, so often, we put such a larger value on the story areas that men are interested in than what women are interested in. I also just don't buy the conceit. I think we just haven't allowed for men to admit when they're interested in these things, to open themselves up to be interested in these things. We've said, time and time again, to men, "What goes on in a woman's mind is not relevant to you." And that's just crazy. What goes on in every man's mind is relevant to me. We exist in the world together. I'm married to a man. The world is full of men. We should be doing that same thing for men. I think we're fixing it slowly. Big Little Lies was such a great example of a story, exclusively about women and about issues that directly affect women, that men watched. They cared. We're at the beginning of it."

(You can read the full interview here).

What do you think of the Women's Fiction book category? Are you happy with it the way I am, or do you agree that we're excluding men by using it? And if we are, is that right? Do, in fact, women's fiction books have something to offer men too?

I'd love to hear your thoughts in the comments!

All for now.

Margaret 

10 Comments

I recently carried out a survey about women's fiction and the 132 responses made for fascinating reading.

There were the ordinary, useful questions about reading habits and demographic etc, but as a writer, what interested me most were the responses to questions I posed about the nitty-gritty of the writing, because this gave me a real flavour of what makes people read a book compulsively.

One of the questions asked respondents to choose statements about women's fiction they agreed with, and to add some of their own. Many people went on to make some very interesting and insightful suggestions, and I really wanted to share these results with you.

So, to start off with, here are the responses to the statements I provided myself:

It's important that I care what happens to the main character in a book and almost feel as if the events of the story are happening to me. 75.76%

I like to feel extremes of emotion when I'm reading - both happy and sad. 55.3%

When I'm reading, I enjoy being taken to places and experiencing situations I've never experience before. 76.52%

I'm happy for a novel to include an element of magic, or events that might never happen in real life, as long as the author makes me believe in it. 57.58%

A romance of some kind is essential in a book in order for me to enjoy it. 17.42%

I like a book's main character to grow and to learn something during the story. 63.64%

A book must have a happy ending, otherwise I feel cheated. 10.61%

It's not a problem to me if the main character is someone I don't particularly like. 39.39%

I like to feel I have something in common with the main protagonist. 25%

And here are the statements that respondents added themselves - the ingredients and factors that are important to them in a satisfying women's fiction novel.

  • I don't like loose ends, need to know what happened to all characters
  • Furthering women's causes
  • It has to feel realistic and not too cliched.
  • Not too far fetched...
  • Needs to grab you in the first chapter, dialogue is important
  • Well written prose.
  • It doesn't always have to have sex. Geez already.
  • Anything to keep me interested and page turning. A good storyline.
  • Helps me learn or appreciate something new
  • I like some humour
  • If I'm not supposed to like a main character, I need something bad to happen to them.
  • The main character should have some kind of intelligence, I get bored by ditzy girls, they have to be smart or witty or work things out
  • A good beginning that draws me in!
  • A sense of suspending disbelief or of an idealised reality being portrayed- country cottage, independent woman, seaside etc
  • Location. Books,based in a city with a bit of a story about the city interest me.
  • That the supporting characters are also fleshed out and have a story
  • The characters and their responses to situations must be believable.
  • Inner conflict
  • Good quality prose
  • Intelligence. Please expect that I am intelligent and need brain stimulation.
  • I prefer heroines who aren't weak, who can save themselves or others
  • Humor is so essential for me to thoroughly enjoy an MC or supporting characters. A book needs to take me away from the BS of everyday stress, the new and political mumbo jumbo. It needs to be a true, enjoyable or fascinatingly interesting escape!
  • Great characterization and good writing is a key
  • I am discouraged with novels crammed with over detailed descriptions of superficial things
  • Well written with relatable 3-dimensional characters
  • Good writing with realistic dialogue. An element of truth in the theme that I can relate to.
  • Right or wrong, that she be strong 🙂 (#StrongWomenWrite hashtag on Twitter)
  • Needs to be believable, must like the hero or heroine and care about them.
  • The author doesn't insult my intelligence by telling me everything.
  • Expect the unexpected
  • I love to get into the mind of the character - and I like novels with suspense, ie. Gone Girl.  I am more interested in the writing and how the writer creates rich and complicated characters.
  • Words chosen in writing should be easily understood by most people. Grammar is very important.
  • No misogynistic cliches please. I'm so fed up with Women as victims. Women don't need men to rescue them. They don't have to be superhuman - just real!

To sum up, (and this is my interpretation of the results) most people want a strong character who draws us in because we're intrigued, and prepared to invest in finding out what happens to them. We might be prepared to suspend our disbelief in the process, but we want to have our intelligence respected. We also want to have work to do - to have things to work out, and that actively engage our imaginations and our thoughts. We don't want to be handed everything on a plate like a bland meal, but we're happy to be entertained. We want good-quality ingredients, but a novel doesn't need to be so good for us it feels like a meal we eat when we're on our best behaviour.

I'm so grateful to everyone who took my survey. Their answers have really given me an insight into what people want from a great women's fiction novel. I'm off to apply all the advice!

Bye for now.

Margaret

 

Hello, everyone

I don't know about you, but I'm a huge Cecelia Ahern fan. I always get the feeling she's writing exactly what she wants to write, following whatever path her inspiration and her imagination take her on. From love stories like PS I Love You, to stories including elements of magic like The Time of My Life, to the more gritty The Year I Met You, I've read and enjoyed them all.

Some writers consistently produce a novel a year, and their readers look forward to a new release, confident that it will include the same key elements - for example, a story from the past with old secrets to be tracked down; secrets that will help someone to find happiness in the present day.

With these types of authors, I often imagine the expression of dismay on their editor's face if, after a year or more of waiting, they were to discover that their author has broken from habit to write something entirely new. There is a lot of pressure out there for writers to give readers what they want, and readers often more of the same.

Cecelia Ahern, however, seems to trust her readers to follow her as her books evolve and change. But that's very much harder to do when a writer not only changes the type of book she writes, but who she's writing for. Cecelia has done just that with her novels Flawed and Perfect, which are written for a new, younger audience, hungry for dystopian novels about a bleak, future way of life. An audience that is most definitely not me.

I'm sad, I have to say. Cecelia is doing what she's always done - following her inspiration and her imagination, but it does feel a little as if a door's been slammed in my face. Of course, who knows what she might write in the future? Hopefully our paths will cross again, and in the meantime, I'll do my best to feel happy for the lucky young readers who are discovering the worlds she creates for the first time.

How about you? Have you ever felt bereft when your favourite author has changed direction? Let me know on my Facebook page or in the comments below. I'd love to hear about it. And stay tuned for the results of my Women's Fiction Survey and prize draw, coming soon!

Have a great weekend!

All the best.

Margaret

2 Comments

This week, I’ve been really enjoying reading all the suggestions for fantasy places to read made by those who have completed my survey about women's fiction. (If you haven't completed the survey yet, there's still time - until the 31st May - and you could win a £20/$20 Amazon gift card. Here's the link: TAKE THE WOMEN'S FICTION SURVEY.

There have been so many great suggestions for fantasy reading places. Gardens of various sorts were a popular choice. I’ve recently been watching a re-run of a TV series called Around the World in Eighty Gardens, and your fantasy reading places made me want to go on a world trip called Around the World in Eighty Fantasy Reading Places. Wouldn’t that be great? Not only to experience all those wonderful places to sit and read a book, but to have the time and tranquillity to really get absorbed in reading.

Of course, for it to work properly, you’d need to have somebody on hand to carry your book pile and to supply you with refreshments. And they’d have to be somebody willing to melt into the background so they didn’t distract you.

drinks brought to fantasy reading place

One respondent was very specific about her choice of garden, naming the courtyard of the Isabella Stewart Gardner Museum. Not being familiar with it, I took a look. Wow! Isn’t it an amazing place? So amazing, I might not be able to concentrate on my book if I were there, which would mean I would need to go there often to get used to it, which wouldn’t be a bad thing at all.

courtyard of Isabella Stewart Gardner Museum

Another garden choice that caught my eye was: in the garden of my childhood home. How evocative that was! In a flash, I was back in the garden of my own childhood, remembering every detail of it, or at least, every detail that counted to me as a child – I daresay my mother would have an entirely different memory of it. (After all, she was the one who did all the gardening.) For me, it conjured up memories of the sumac tree I loved so much with its rust-coloured furry trumpet fruits, and leaves that turned a vibrant red-gold every autumn. The pink roses I once looked at in the sunshine, causing pink splodges to appear before my eyes for ages afterwards. The bush I mindlessly plunged my hand into only to have it stung by a bee. The time when I was forbidden to go to the end of the garden because my dad was secretly making me a doll’s house for Christmas in his workshop.

 

If I could go back there now to read, it would have to be beneath that sumac tree in the autumn. If you could return to the garden of your childhood, I wonder whereabouts you’d read your favourite books?

Of course, not everyone has a garden when they're growing up. If that’s you, I wonder what your fantasy garden would be like? Or perhaps you’d be happy to stay indoors.

I'd love to know your thoughts on reading in gardens, childhood or otherwise.  Comment below, or you can tweet to me at @margaretkaj.

I'll bring you more from the fascinating survey results soon. In the meantime, happy reading, whether you're in your fantasy reading place or not! Have a good week.

Margaret